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The Mountain Does Not Answer

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  The Mountain Does Not Answer A play in three acts, loosely after Nezami's Khamseh Dramatis Personae The Narrator – A chronic voice, restrained, almost indifferent. Speaks from outside time. King Khosrow – Sovereign of Persia, intoxicated by history and power. Certain that the world moves with him. Age has not diminished his appetite for certainty. Shirin – Queen-in-waiting, lucid and inwardly free. Awake to choice and consequence. Her clarity is mistaken for coldness; her freedom for indecision. Farhad Kohkan – The stonecutter, ascetic and relentless. Bound to endurance. His hands know what his heart cannot say. Vizier Mehrdad – Minister of Reason and State. Interpreter of necessity. Believes all problems are puzzles awaiting proper administration. Maryam – Shirin's maid, observant and quietly sharp. A witness who survives by understanding what others refuse to see. The Merchant – A traveler. Pragmatic. Sees the world as transaction. Prologue The stage is b...
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THE TRENCH BETWEEN TWO FEARS

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THERENCH BETWEEN TWO FEARS A Play in Two Acts A Lehrstück for a Disappearing Lieutenant Place: Two opposing military outposts dug into the same mountain spine, between Piranshahr (Iran) and Haji Murad (Iraq). Time: 1974–1975. Before the war that everyone pretends not to foresee. CHARACTERS NARRATOR (The Historian): Speaking from years later. Steps in and out of the action. Explains, interrupts, contradicts. Gender-neutral, timeless. FIRST LIEUTENANT SADEQ HAKIMI: Twenty-four years old. University graduate in sociology. Ideologically armed, practically unarmed. Believes in progress and reason. MASTER SERGEANT MUKHTAR JAMSHIDI: Forty-two years old. Veteran of boredom, corruption, and survival. Neither cynical nor hopeful—merely accurate. CORPORAL KHODADAD MORADI: Loyal shadow of the Sergeant. Competent, quiet, resigned. THE CONSCRIPTS (Nine Men): Village Conscripts: KARIM AGHA: Eldest. Speaks in proverbs. Father of six. YARDAN-GHOLI: Devout. Soft-spoken. Washes ritually before each praye...
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A comment on "what is art?" on Sound of Philosophy آوای فلسفه Podcast in Youtube

Dear sir, Incomplete knowledge becomes dangerous when it is mixed with carelessness, prejudice, and a touch of superstition. These tendencies unfortunately permeate your pseudo-philosophical commentary, especially in your implicit assumptions about Wittgenstein’s philosophy of language, his notion of language-games, and—crucially—his views on mathematics, probability, and randomness. These areas are not separate strands of Wittgenstein’s thought; they are deeply interconnected, and misunderstanding one leads inevitably to misunderstanding the others. This is precisely what occurs in your discussion, even if you never mention these subjects explicitly. You begin with a mistaken belief that each phenomenon must have a single, correct definition. Wittgenstein spent his entire later philosophy dismantling this notion. Whether we speak of “number,” “probability,” “randomness,” or “art,” none of these concepts has a fixed essence. Their meanings arise from the practices—mathematical, scienti...
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